Semi-darkness and violet light, in the gloomy atmosphere of the Sainte-Chapelle opulence is tangible and the feeling of fascination and marvel is vivid.
Located in Ile-de-la-Cité - the very historical core of Paris - the Sainte-Chapelle was built during the 1240s at the behest of King St. Louis IX of France to house the precious Crown of Thorns worn by Christ during his Passion, but also as a place meant to celebrate the devotion of the monarchy - and the monarchy itself.
A sparkling example of medieval architectural mastery and Gothic style, the Sainte-Chapelle fascinates visitors with its stunning stained-glass windows and it is listed among the national historic monuments of France.
If in Paris, the Sainte-Chapelle is definitely a place you cannot miss! In this guide, you'll find everything you need to enjoy your visit: history and facts to understand the chapel's meaning, information, guided tour through the architecture and the interiors, stained-glass windows, and more.
In this article:
The Sainte-Chapelle in Paris: Why Visit
The Sainte-Chapelle in Paris: Your Visit
The Sainte-Chapelle in Paris: Plan Your Visit
The Sainte-Chapelle in Paris: After Your Visit
The Sainte-Chapelle in Paris: Why Visit
HISTORY OF THE SAINTE-CHAPELLE
The history of the Sainte-Chapelle starts in 1204 when, following a consequence-filled Siege of Constantinople (Istanbul, then part of the Byzantine Empire) by the Venetian Navy and the Crusaders, many valuable relics were stolen from the city and the hunt for potential acquirers began.
One of the most illustrious names that came up was that of Louis IX, king of France, sovereign of a then wealthy and developing kingdom, and therefore willing to spend enormous sums in exchange for prestige. As a consequence, between 1239 and 1241 some of the most precious relics then-known (pieces of the Holy Cross, the Crown of Thorns and others directly linked to Christ himself) left the Byzantine Empire and set off for France.
Now the owner of these incredible treasures, Louis IX decided to build them an appropriate container, a grandiose royal shrine up to both the sacred pieces and his kingdom.
Louis IX (1214-1270) was a French king (reigned 1226-1270), of the House of Capet, later proclaimed a saint and now revered as such by the Catholic Church. Louis is known to have been a wise, respectable, and fair sovereign, to have worked for the at-the-time developing Kingdom of France, and to have importantly contributed to the strengthening of the monarchy and its affirmation. He ameliorated the legislation and administration of the country and pacified internal conflicts. His Christian, upright way of living and his faith brought him to post-mortem sanctification and made him a role model for French sovereigns in the following decades. He is still considered one of the best French monarchs. |
Construction works for the Sainte-Chapelle began around 1241-1244 and were completed in 1248. This impressive quickness was a clear sign of efficiency and availability of resources. Louis IX himself most likely helped design the building, which was meant to be a part of his own residence, the Palais de la Cité.
After the death of its founder (1270), The Sainte-Chapelle continued its activities as a royal chapel until the end of the 14th century, when the Palais de la Cité stopped being the residence of the monarchs. By then, the canons (clergymen serving as keepers of the Chapelle) had become infamously known for their greed and laxity. From this moment, the Sainte-Chapelle was gradually turned into a symbolic place with little effective importance.
And thus we reach the 18th century: the Sainte-Chapelle had been basically on a hiatus for decades, its spiritual and moral rectitude way too compromised to properly function. In the years 1789-1791 the Chapelle knew no mercy from the Revolutionaries (who despised the monarchy and the old cults and wished to eradicate both Christendom and any sign of a king's passage). Its incredibly precious shrine was melted down while the relics were mostly spared, subsequently spread all over Paris and never to return to the royal chapel. At the turn of the new century, the Sainte-Chapelle was left in a poor state, little more than a wreck, its furniture disappeared and its structure heavily damaged.
In 1836, after decades of oblivion, the trends changed and the Middle Ages found revived appreciation among the general public. Restoration works at Sainte-Chapelle could finally start. The people in charge of them opted for the replacement of the missing parts and did a good job. In 1863 restoration was complete.
WHY IS THE SAINTE-CHAPELLE IMPORTANT
Paris and France at the time of the Sainte-Chapelle
When the Sainte-Chapelle was built during the 13th century, France was a kingdom but not yet a nation. Borders were ever-changing and always uncertain, so belonging was more of a local rather than a national concept.
Similarly, Paris was an important and fast-growing city, but not yet the capital we know today - most of its masterpieces were still a long way from being even envisioned. The city was expanding but its identity still had to be defined and it lacked characteristics that could make it stand out.
The Sainte-Chapelle was built during this identity-building process by those who were most interested in seeing Paris stepping out of mediocrity and France taking a definitive shape: the kings of France.
Louis IX: Being a King in 13th-century Europe
The king who commissioned the royal chapel, Louis IX, was in no way like his famous homonymous successors Louis XIV - the Sun King - or Louis XVI: when the saint king was sitting on his throne, the Early modern concept of absolute monarchy did not exist yet.
Medieval kings were revered as sovereigns and their position was evidently unique, but they still had to fight to maintain authority and respect, and they could not take their power for granted. Being a firstborn prince obviously offered good chances to become king, but the passage was not as immediate as it would later become, and it did not give full power over all levels of society.
In the 13th century, tables were nevertheless starting to turn. The monarchs of France had recently started working on defining a capital by incentivizing Paris’s flourishment and giving it a distinguishable royal style. From his side, Louis IX might not have been an absolute monarch, but the program he had in mind for himself and his dynasty was ambitious - and the Sainte-Chapelle was part of it.
The messages behind the Sainte-Chapelle
Propaganda as we know it would not have been feasible in the 13th century. In a world where images, representations, and artistic expressions were not scarce but unevenly accessible, architecture was a primary medium to address the urban population.
➊ Externally, the Sainte-Chapelle appears now so constricted between more recent buildings that one may find it hard to imagine its visual impact on the city. And yet the surroundings were drastically different and more spacious back when the chapel was built.
➜ The Sainte-Chapelle is what we call a Chapelle Palatine (Palatine Chapel), meaning that it was built as part of a palace and meant for the personal use of the sovereign. Indeed, it was once included in the Palais de la Cité (now Palais de Justice) the ancient royal residence, standing right beside the official seat of the Archbishop of Paris, the Cathedral of Notre Dame.
➊ The interiors of the Sainte-Chapelle tell us more of what Louis wanted his guests to notice: when Louis IX commissioned its construction, people were used to symbols, icons, and signs we ignore today or are just not too familiar with. But back then, thanks to a common religion - Christianity - and a common source - the Bible - there was at least one language that could be used by every Christian monarch to communicate with their people and international visitors.
Nowadays, the royal chapel has lost its political significance and can be admired by anyone, but this was not the case in the 13th century. The general public normally accessed the building on special occasions only, to venerate the Crown of Thorns. As a royal property, it could be seen by the royal family, the members of the court, the high nobility, and the royal guests, who were also basically those who had a form of political influence.
Therefore, Louis IX carefully chose the decoration of the building so that it could reflect exactly the message he had in mind: the beautiful windows narrate stories from the Bible, focusing on kings from the Old Testament and the Passion of Christ.
➜ Referring to his biblical ancestors was a useful expedient for a monarch who was looking for legitimization. In the Bible, we can see kings rightfully exercising their power over people and being in a privileged connection with the Almighty without intermediation. Through these windows, Louis IX claimed his sacral right to rule over all French men who were living in his kingdom.
At the same time, any respectable king still had to prove his worthiness to God and his own subjects with his actions. In the 13th century, an appropriate way to express pious devotion was ostentation - the more you possessed, the more grandiose your efforts. Building a magniloquent royal chapel like the Sainte-Chapelle was a common practice to impress both the Lord and the world, but luxury alone was not enough.
The Crown of Thorns in Paris and for Paris
From our contemporary perspective, the cult of relics appears a bit disturbing and hard to understand. However, Christianity of the past was constantly looking for vessels and intermediaries that could provide a tangible link between the earthly and heavenly worlds.
The role of relics reached its peak in the Middle Ages and by the 13th century had already become political. Acquiring important relics brought prestige and authority but also came with some duties: the more important the relic, the more magnificent it had to be its container.
Any objects or body parts ascribable to Christ, the Apostles, and the Church Fathers occupied the top steps of the podium in terms of importance and relevance and could be in all probability obtained only by very wealthy and privileged people.
Thus, every respectable king - and kingdom - had to be the keeper of an important relic to gain authority and legitimization.
➜ By bringing the Crown of Thorns to Paris and housing it in the royal Sainte-Chapelle, Louis IX made clear that he wished to position himself as an influential and devoted sovereign and that the kingdom he wanted to build was off to equal or even surpass any other.
Such an exceptional relic like the crown of thorns turned Paris into a desirable destination and associated it with some of the most prestigious urban centers in Europe and with the great holy cities in the world, such as Rome, Jerusalem, and Constantinople. This way, the king gave Paris a prestigious reason to emerge in the European scenario and become a capital worthy of the name.
VISITING THE SAINTE-CHAPELLE TODAY
When entering the Sainte-Chapelle, you are visiting a piece of French identity.
Today, we are able to see the formation process of France as a whole and understand the importance the Middle Ages had in it: the nation that was still in progress during those centuries became a definite entity later thanks to the efforts of medieval kings.
By building their own authority, the ancient monarchs of France built France.
Louis IX became a role model after his death, and to this day he is the only saint king of France. His later popularity and the success of his experience as a king and as a man today constitute a crucial piece of French history and have become the starting point for later legends, traditions, and national spirit. By commissioning the spectacular Sainte-Chapelle to celebrate himself and his devotion, he actually left a mark on French history.
Also, Saint Louis's example was followed by his successors and became a trend: around ten royal chapels were built in France between the 13th and the 16th centuries, and they all shared the same significance and motives that originally moved Louis IX.
All this not only contributed to the immense cultural heritage of France but also solidified the power of the monarchy and helped artistically define the new-born nation.
The Sainte-Chapelle in Paris: Your Visit
THE BASICS
What: Medieval royal chapel built in Rayonnant Gothic style
Why: Extraordinary historical value, Gothic architectural mastery, stained-glass windows
Building period: 1241 (ca.) - 1248 / heavily restored during the 19th century (1840-1868)
Commissioner: Louis IX, King of France
Architect: Pierre of Montreuil (disputed - based on mentions in 17th century documents but not confirmed)
Current status: structure mostly intact, original features badly damaged during late 18th century & Revolution period, partly restored, original furniture & relics removed
ARCHITECTURE AND EXTERIOR
Once an outstanding and fully visible building meant to compete with its neighbor the Cathedral of Notre-Dame, the Sainte-Chapelle now shows the signs of change - today, the view of the royal chapel is partially obstructed by other constructions.
Also, most of what we look at does not come from the Middle Ages but is the fruit of a long and complex 19th-century restoration. Much of the exterior and of the lower chapel has been completely reconstructed less than two centuries ago.
➊ Although magnificent, the Sainte-Chapelle's structure is very simple and linear and consists of 2 floors, each one hosting a different chapel (lower and upper chapel). Access to the upper chapel from the lower is possible through an internal staircase.
External access originally did not exist, as the Sainte-Chapelle was not open to the public but was part of the royal palace. The entire place was thought and designed as a glass shrine, its stained-glass decoration a medium to highlight the relics conserved there.
➊ The spire that we see today is the fifth version (1852) that has been created. ➜ The first three were destroyed by either fire or other catastrophes common in the past centuries. ➜ The fourth was torn down during the Revolution along with much of the external decoration.
➊ The western facade is made of four levels and only a few parts are the work of the Middle Ages (the portals mainly, but not the statues, which were completely destroyed during the Revolution). ➜ The scenes represented here come mostly from the Old Testament and are in line with the narration of the interior. They also include some episodes from the New Testament. ➜ The statue depicts the Virgin and the Child and was thought to be miraculous.
THE LOWER CHAPEL
When entering the lower chapel a few things I believe slightly disturb the atmosphere: the bookshop and the crypt-feeling. This latter is due to the limited height of this place, but especially to the lighting system, which seems to highlight a role that the lower chapel has never had. This place was never meant to be a crypt.
A virtuoso of architecture and polychrome, the Lower Chapel is dedicated to the Virgin Mary and was meant as the chapel for non-royals.
Most of what we can see today is the fruit of a restoration: after a devastating flood hit the Chapelle in 1690, the lower chapel was completely whitewashed and the original windows were lost forever. As of today, we don't know what they should have represented, but considering the dedication, it was most likely a cycle dedicated to the Virgin Mary.
➊ The decorations, including the windows, were laboriously recreated in the 19th century with reference to the remains found, but something was inevitably left to the imagination. They are all connected to episodes of the life of the Virgin Mary.
➊ The medallions are also a product of recent times (19th century) and depict the Apostles.
➊ On the pillars, half-pillars and murals is the fleur de lys, the symbol of the French monarchy and a clear reference to the founder of this place.
➊ The flooring in the 19th century was covered by tombstones (a practice of the time seen in many medieval churches), then removed and substituted with the current version.
➊ The marble statue overwatching us from a revering distance is a depiction of King Louis IX, founder of the Sainte-Chapelle.
THE UPPER CHAPEL
At the end of the staircase, we find ourselves in the upper chapel, with its marvelous stained-glass windows. They cover the entire wall surface and literally substitute it, and include a rose window (this version dates back to the 15th century).
The atmosphere and colors here are similar to the lower chapel, but everything is more spacious and grandiose. The height is almost twice the width of the chapel. This place was destined for the royal family and their guests, and this is how we can explain the upper position and the magnificence of its appearance.
➊ Not touched by the 1690 flood, the painted decoration here is more complex and mostly dates back to the 13th century, although half of the statues representing the Apostles have been either destroyed, replaced, or moved elsewhere.
➊ In the middle of the apses stands the imposing tribune of the relics, completely dismantled during the Revolution and later restored not without difficulty.
THE STAINED-GLASS WINDOWS
The incredible group of stained-glass windows hosted in the Sainte-Chapelle is one of the most vivid and astonishing examples of medieval architectural mastery.
The entire cycle has been here since the time of the Chapelle's construction, with some parts having been redone during the 19th century. A very good job was done on that occasion, with minor alterations to the original narration and in full respect of its iconography.
Here is a visual explanation of the whole iconographic cycle:
➊ In case you may be interested in reading the windows, you should do so from left to right and from bottom to top, line by line.
➜ The story is narrated using more than one hundred scenes and goes from the Creation (Genesis, Old Testament) until modern times (of Louis IX), then ends with the Apocalypse, representing the end of the earthly world and the beginning of the Reign of God.
➊ Depicting the Biblical history of the world was rather common at the time. However, since the Sainte-Chapelle worked as a political standing point for Louis IX and the French monarchy, the choice of what to represent was politically biased: episodes of Biblical coronations were preferred, and the whole cycle ends with the story of the recovery of the Crown of Thorns and its journey to Paris - a way to celebrate the relics but also to underline the role of Louis IX and to ascribe him right beside the Greatest Biblical Kings.
The Sainte-Chapelle: Plan Your Visit
HOW TO GET TO THE SAINTE-CHAPELLE
The Sainte-Chapelle is located right at the heart of Paris and just a few meters from the Cathedral of Notre-Dame, so you will most likely pass by while visiting the city!
Anyway, the Sainte-Chapelle can be easily reached either by bus or by metro:
By Metro:
RER Line B or C: Stop Saint-Michel
Metro Line 1,7,11, 14: Stop Châtelet
Metro Line 4: Stop Cité
By Bus:
Lines 21, 24, 27, 38, 58, 81, 85, 96
USEFUL INFORMATION
At the time of my visit to the Chapelle, I remember having to wait for a solid hour and going through a very long line.
To avoid waiting in line, you can purchase a skip-the-line ticket and choose a time slot in advance.
➜ On this page you can easily proceed with the reservation and go through the various options.
➊ Note that the building is usually pretty crowded and not particularly airy or spacious (especially the lower chapel), and there are a few narrow stairs to climb if you wanna reach both floors, so make sure this is not a problem for you or your company.
➊ Visiting the Chapelle will take you around 1 hour if you decide to buy the audio-guide supplements or if you have a few lines to read. However, the whole process of waiting and going through the mandatory security controls (airport-style) might extend that time. My advice is not to plan any other visit to important monuments/museums during the same morning or afternoon.
➊ The Sainte-Chapelle offers you handy audio guides for 3€ each and you can also download a PDF with some practical and historical info for your visit.
The Sainte-Chapelle: Guided Tours Suggestions
TICKETS AND OPENING HOURS
Here is an overview of the pricing for a visit to the Sainte-Chapelle (updated October 2024):
Adults | 13€ |
People under 18 | Free |
People 18-25 (from EU countries) | Free |
People with disabilities | Free |
Partnerships (Amis du Louvre, Thalys, Paris Musées, etc) | 11,50€ |
Combined ticket (+ Conciergerie) | 20€ |
Combined ticket - people under 18 | Free |
Combined ticket - people 18-25 | Free |
Combined ticket - people with disabilities | Free |
The Sainte-Chapelle is open daily:
9AM-7PM from April 1 to September 30
9AM-5PM from October 1 to March 31
Closed on May 1, December 25 and January 1
The Sainte- Chapelle in Paris: After Your Visit
MEDIEVAL PARIS: WHERE TO GO NEXT
Are you done with your visit to the Sainte-Chapelle but can't get enough of medieval history and wish to see more?
Medieval times were good to Paris and marked its rise as the capital of the Kingdom of France - so much was built in these centuries, although several buildings, streets, and religious sites were later substituted or succumbed to new epochs and their trends.
Here are a few magnificent Parisian places that you may pay a visit after the Sainte-Chapelle:
Conciergerie (13th century): the closest one is the Conciergerie, which together with Sainte-Cahepelle is the only remaining portion of Palais de la Cité. Once a royal residence, this marvelous Gothic civic building became a prison and hosted important figures such as Queen Marie Antoinette. Today is a museum and I definitely recommend a visit! It is often used as an exhibition hall, more info here.
Abbey of Saint-Germain-des-Prés (11th century): let's stay for a bit longer in Ile-de-la-Cité to explore this beautiful building, once a full Romanesque abbey and today a Gothic church with a 1500-year-long history from its first foundation. While there are later additions to the original medieval design, its Gothic structure remains intact and is definitely worth a visit and a 15-minute stroll from the Sainte-Chapelle!
Hôtel de Sens (14/15th century): today an art library, this ex-residence was built for the archbishops of Sens, on which Paris depended. Its current appearance is unfortunately not completely genuine, as the place was damaged and then heavily restored in recent times. However, its typical Gothic fascination remains and can be admired during a walk through the Marais (15 minutes from Sainte-Chapelle).
Basilica of Saint-Denis (13th century): to be honest, this is probably my favorite place in Paris! Away from the tourist crowds, this breathtaking Gothic shrine is where some of the most important royals of France have found their eternal rest - the royal tombs are amazing and, together with the monumental and luminous structure, they make this place a must for your Parisian tour! Saint-Denis can be reached by metro and bus, from the Sainte-Chapelle is a 30/40 minutes ride (Metro 14 and then 13 or Bus Line 21 and Metro 13).
Musée de Cluny (National Museum of Middle Ages): hosted within the 15th-century Hôtel de Cluny, this is the place to be to jump into the medieval history of France and Paris. The collection is large and the building imponent, so save a morning or afternoon for the museum! Find it at a 10-minute distance from Sainte-Chapelle.
Notre-Dame Cathedral (13th century): last but definitely not least is one of the symbols of Paris, the much-mourned Notre Dame Cathedral, severely hit by a devastating fire in 2019. The protagonist of novels, and poems and an active part of the collective imagination, the cathedral is now closed for renovations but is planning to re-open soon. You can still get a sense of its beauty from outside, get there from Sainte-Chapelle in 5 minutes!
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